Visual Design and Graphic communication is evolving. What are the trends that will sway the graphic world, how does new technology play a role in this new evolution and how does one connect with the new age end user.
By MAYURI NIKUMBH
With the lines between different media of visual communication blurring by the minute, it is inevitable that the design trends are being heavily cross-pollinated as well. While skeuomorphism has taken a big beating in the latest versions of all digital platforms, it is a trend that is not going away for a long time to come but rather is being adopted by print as well. Simple, flat graphics with solid, contrasting colours is the flavour of our present and fast becoming the preferred style of visual communication for designers & viewers alike.
What’s also emerging as a visual delight and emotional connect is ‘handcraftedness’. Whether it is the use of freehand fonts or unfinished textures or rough sketch lines – imperfection is the new perfection. It is probably the coming of a full circle after the visual fatigue of too much slick & shiny in the preceding seasons. People as consumers are now looking for rootedness and familiarity of the days gone by! Since products & services are also speaking of the same language – their means of communication cannot remain unaffected.
An offshoot of the above is also another visual trend which sees the mixing of the old and the new – the classic contemporary or the retro new age! Both compliment each other beautifully in terms of image & typeface or colour & form or even tone of voice & visual expression.
Packaging Design for Britannia Good Day Chunkies, truly emphasizes the imperfect, handcrafted feel of the product within.
Today technology is enabling in more ways, to express the desired design outcome. If all the above design trends can be brought to life, say in a packaging design exercise, it is due to the advances in printing technology. Whether it is about making a plastic pouch appear like paper or whether is it about creating illusionary glass bubbles on a flat surface, it is all being made possible to attract the consumers’ attention sitting on a shelf and communicate the right brand story.
Another area technology has impacted communication is the new way of purchase – online! The way packs look and engage a consumer is rapidly requiring newer strategies and design expressions. Here the competition or concern is not so much about the shelf shout. The challenge is to appear distinct and engaging in a few pixels and help make purchase decision without holding and feeling the pack in hand!
Substrate treatment simulating actual paper does complete justice to Paperboat Drinks in bringing alive its brand story of being pure and unadulterated nostalgia
In an age where there is prolific usage of internet & new-media not just by the youth but every set of hands who has a cell phone, easily spanning an age divide from 12 to 80, the end user is changing with every new download or upload. The only way to strike a chord with these people is to understand their world – become them. As a designer, one has to constantly be shifting identities and changing shoes based on for who is he or she is designing. One could be reading ‘The Diary of a Wimpy Kid’ on a day to understand what does today’s ‘tween’ think like or could be speaking to a pediatrician on another to understand what a mother is truly anxious about. A designer of our near future has to be a heady mix of psychologist + ethnographer + crystal gazer! J
MAYURI NIKUMBH is a Principal Designer, Visual Communication at Elephant. An alumnus of Industrial Design Center, IIT-Powai, Mumbai, she leads a cool team of designers with work straddling across brands, packaging and branded environments.